If You Don't Have a Logo
"I need a logo before I can have a website" delays more projects than almost anything else, and it is not true.
A logo is one small part of an identity, and it is the part that matters least on a website. A visitor forms an impression from your typography, your colours, your photographs and your words, in roughly that order. The mark in the corner is doing very little of the work. For a broader view of planning habits, this reference collects further reading on time management.
What to do instead
Set your name in a good typeface. A wordmark — your business name, well chosen, well spaced, consistently used — is a legitimate solution rather than a placeholder. A great many respected businesses use exactly this, and it never reads as unfinished when it is done deliberately.
Choose two colours and stick to them. Consistency does more for recognition than any symbol. One colour for accents and one for text, applied the same way everywhere, and you have an identity.
Use one strong photograph as the anchor. For most small businesses this carries more identity than a mark would. The photograph of you or your work is the highest-value image on the site.
That is a coherent visual identity, and it can be assembled in an afternoon by whoever is building the site. For an independent reference beyond this site, Canva is a useful place to compare approaches.
Why a cheap logo is worse than none
Somewhere between free generators and a marketplace, a mark can be had for very little. It is usually a false economy.
It will be generic. Marketplace and generated logos draw on a limited set of shapes, and businesses in the same sector end up with near-identical marks.
You may not own it cleanly. Cheap logo work frequently comes with limited rights, no source files, and no assurance the elements were not licensed from elsewhere. Ownership questions apply here as much as anywhere.
It cannot be trademarked reliably, if you ever want to, because you may not be able to show original authorship.
It commits you. Once a mark is on your signage, your invoices and your packaging, replacing it is expensive. A cheap logo becomes a permanent one through inertia.
And it will not make the site better. A weak mark applied consistently looks worse than no mark applied confidently.
When to commission properly
When the business is settled. If you are still working out what you sell and to whom, a logo is a decision made at the point of least information.
When you have physical presence — signage, packaging, vehicles, uniforms. This is where a mark earns its cost, because it has to work at a distance, in one colour, very small, and on materials.
When you have the budget for it to be good. Proper identity work is a real project with research and rounds, and half-funding it produces the generic outcome above.
Not because the website needs one. It does not.
Practical things to ask for, when you do
Source files, in the format the designer worked in, not just exports.
A one-colour version, because it will be needed for stamps, embroidery and faxes-in-spirit.
A version that works very small, at favicon size, and one that works large.
Clear ownership in writing. Full transfer of rights on payment.
A note of the typefaces used, and whether you are licensed to use them.
Working without one in the meantime
Header: your name as a wordmark, sized like a mark, positioned like a mark. Nobody perceives an absence.
Favicon: your initial in your accent colour, or a simple shape. Takes ten minutes and prevents the browser's default blank page icon, which does read as unfinished.
Social profiles: the same wordmark cropped, or a strong photograph.
Documents: the same typeface and colour on invoices and emails. Consistency across surfaces is what recognition is made of, with or without a symbol.
The honest version
A logo is the most visible part of a brand and the least functional. It is the thing owners fixate on because it is a discrete object that can be finished, while the harder parts — what you say, how it looks in use, whether the photographs are any good — resist that.
If a logo is genuinely blocking your website, get the site launched with a wordmark and commission the identity later, with a real business and real information to design from.
The short version
- A logo is not a prerequisite for a website and matters less than typography, colour, photographs and words
- A wordmark plus two colours plus one strong photograph is a coherent identity, assembled in an afternoon
- Cheap logos are generic, often carry unclear ownership, and become permanent through inertia
- Commission properly when the business is settled and there is physical presence to justify it
- Ask for source files, one-colour and small-size versions, and written transfer of rights
- Do the favicon anyway — ten minutes, and its absence is the only part visitors notice